![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
rushthatspeaksA collection of short stories (and two novellas) set in the Dresden Files universe. One is original to this volume, two have previously appeared on the author's website, and the rest are from various anthologies.
This is a book that assumes you have read the entire previous series. In fact, the final novella is set after the most recent one, so unless you are the kind of person who can somehow magically manage to read only part of a book (I do not understand this, but I am assured it occasionally happens), it's probably best to have read the entire previous series. If you haven't, you start with Storm Front; Harry Dresden is Chicago's only professional wizard, it's urban fantasy without that being code for paranormal romance, and while we are not talking Great Literature we are talking a consistently entertaining ongoing series that shows upshifts in writerly quality on a fairly regular basis.
The stories here vary somewhat in craftsmanship-- they include Butcher's first attempt at a short story ever, which is, uh, an instructive example of its type (props for putting it in, though, since he obviously knows)-- but are mostly tight work, focused on magical blowing-stuff-up and on allowing minor characters their moments to be badass or entertaining. I particularly liked the one in which the resident Valkyrie gets to go into full combat mode. As usual, there's a fair amount of humor; Harry Dresden thinks he's funny, and sometimes he even kind of is. These suffer from the usual problem that short stories affiliated with long-running novels series have, in that they cannot advance the overall plot significantly because there is no guarantee that the people who read the novels will read or even hear about the relevant anthologies. (The only writer I know to have broken this unspoken rule is Lois McMaster Bujold with 'Winterfair Gifts', which drove me nuts until it was reprinted in the omnibus because a) I couldn't find the anthology and b) it had nothing else I wanted to read in it anyway. So, even though this consigns short stories set in the continuities of ongoing novels to the realms of character study, plot-that-appears-to-go-somewhere-and-doesn't, second-verse-same-as-the-first, and comedic interlude, it's a good unspoken rule and I would appreciate people continuing to follow it.)
I suspect that Jim Butcher is enjoying the challenge of trying to write readable Dresden Files stories which follow this rule while nonetheless having some heft to them. And he's doing a pretty decent job. A couple of the stories will give you information that simply has no way to get into the novels proper at this time, and which I suspect will be revealed in entirely different ways than these stories work with if the novels ever get to that. And I liked the final novella, 'Aftermath', almost more for the clever way in which it takes place after Changes without spoiling anything for the book what is not out yet than I like it as a story for itself, because that is a neat little line to dance on, there.
So this is fun, as all Dresden books are, although I do not necessarily recommend reading it in one sitting because it can get a little same-y, and it's not essential for understanding of the greater series.
Also, Harry Dresden plays D&D. He is of course a barbarian. I wish that scene had gone on a lot longer. Sadly, when encountering LARPers he does not actually LARP. One may I suppose hope for the future.
This is a book that assumes you have read the entire previous series. In fact, the final novella is set after the most recent one, so unless you are the kind of person who can somehow magically manage to read only part of a book (I do not understand this, but I am assured it occasionally happens), it's probably best to have read the entire previous series. If you haven't, you start with Storm Front; Harry Dresden is Chicago's only professional wizard, it's urban fantasy without that being code for paranormal romance, and while we are not talking Great Literature we are talking a consistently entertaining ongoing series that shows upshifts in writerly quality on a fairly regular basis.
The stories here vary somewhat in craftsmanship-- they include Butcher's first attempt at a short story ever, which is, uh, an instructive example of its type (props for putting it in, though, since he obviously knows)-- but are mostly tight work, focused on magical blowing-stuff-up and on allowing minor characters their moments to be badass or entertaining. I particularly liked the one in which the resident Valkyrie gets to go into full combat mode. As usual, there's a fair amount of humor; Harry Dresden thinks he's funny, and sometimes he even kind of is. These suffer from the usual problem that short stories affiliated with long-running novels series have, in that they cannot advance the overall plot significantly because there is no guarantee that the people who read the novels will read or even hear about the relevant anthologies. (The only writer I know to have broken this unspoken rule is Lois McMaster Bujold with 'Winterfair Gifts', which drove me nuts until it was reprinted in the omnibus because a) I couldn't find the anthology and b) it had nothing else I wanted to read in it anyway. So, even though this consigns short stories set in the continuities of ongoing novels to the realms of character study, plot-that-appears-to-go-somewhere-and-doesn't, second-verse-same-as-the-first, and comedic interlude, it's a good unspoken rule and I would appreciate people continuing to follow it.)
I suspect that Jim Butcher is enjoying the challenge of trying to write readable Dresden Files stories which follow this rule while nonetheless having some heft to them. And he's doing a pretty decent job. A couple of the stories will give you information that simply has no way to get into the novels proper at this time, and which I suspect will be revealed in entirely different ways than these stories work with if the novels ever get to that. And I liked the final novella, 'Aftermath', almost more for the clever way in which it takes place after Changes without spoiling anything for the book what is not out yet than I like it as a story for itself, because that is a neat little line to dance on, there.
So this is fun, as all Dresden books are, although I do not necessarily recommend reading it in one sitting because it can get a little same-y, and it's not essential for understanding of the greater series.
Also, Harry Dresden plays D&D. He is of course a barbarian. I wish that scene had gone on a lot longer. Sadly, when encountering LARPers he does not actually LARP. One may I suppose hope for the future.
![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
no subject
Date: 2011-06-01 12:43 pm (UTC)(Nb. I have not read _Cryoburn_ yet, which I guess may answer my question.)
no subject
Date: 2011-06-02 06:35 am (UTC)no subject
Date: 2011-06-02 03:22 pm (UTC)no subject
Date: 2011-06-01 09:02 pm (UTC)no subject
Date: 2011-06-01 01:04 pm (UTC)I think part of the reason I was less than pleased with this collection is the both "Aftermath" and the other one I'd not read before were firmly focused on the whole Harry/Murphy unresolved sexual tension thing, which is a particularly egregious example of a trope I hate anyway, and part is that the combined impact of "Aftermath" and "Backup" and the Marcone POV story that also came out last year is that first-person non-Harry POVs in that universe all seem to be way more About Harry than I can well believe. I'm certainly hooked on the series but mostly on a plot complexity level; half the time I emerge from it wanting to write more on my own inordinately ambitious series, and the other half the time I want to reread Felix Castor. (I find "bastard" immensely more congenial as a way of responding to stress than "jerk". As I see it Castor does the former and Harry Dresden the latter.)
no subject
Date: 2011-06-02 06:32 am (UTC)Didn't see 'The Warrior' as incompatible with free will, necessarily. It seems to be working on the idea that there are a great many circumstances built around each person's life, so that it takes significant work and real choice to make things change from what is most likely to happen, but that the decisions to do things like, oh, become Denarians or that sort of thing are people's own.
no subject
Date: 2011-06-03 04:06 am (UTC)I am aware that both my insane megaprojects shape my thinking on this and that this is thematically twitchy ground for me.
no subject
Date: 2011-06-01 01:53 pm (UTC)I think this one is my favorite, yes. I've given my original copy of the book to
I don't read much sf/f fiction these days (pretty much just whatever R puts in front of me, and even then it often takes time for me to get 'round to it), and I have to admit, I'm putting off the more intellectually challenging sorts of stuff in favor of things like the Dresden Files, which are sometimes just logic puzzles in book form. With, you know, vampires and wizards and stuff. Candy for my brain, perhaps, rather than a full meal.
no subject
Date: 2011-06-02 06:32 am (UTC)no subject
Date: 2011-06-02 11:31 am (UTC)I am not at all ashamed to admit that in the throes of the latest bout of dissertation agony, earlier this year, I reread all of them.
no subject
Date: 2011-06-03 04:08 am (UTC)no subject
Date: 2011-06-01 04:20 pm (UTC)---L.