So when the big box of books from
octopedingenue came some time ago, I went through it looking at things, and started mentally cataloging them into short, long, fantasy, literary fiction, graphic novels, a book I really really wanted to read that Kawy sent because she is psychic (Thief Eyes by Janni Lee Simner, previously reviewed here), etc.. There was a small category, composed mostly of Crazy Beautiful (the HOOKS FOR HANDS book) which I mentally marked as 'books Kawy has sent me because they are incredibly bad'.
When I got to the Francesca Lia Block, I had absolutely no idea whether to put it in that category or not. None whatsoever. Francesca Lia Block has written books I find lovely and memorable and magnificent (Ecstasia, Primavera, the early Weetzie Bat books, The Hanged Man) and books I find utterly neutral and have trouble remembering exist (Girl Goddess #9, that one about teenage fairies) and a couple of the worst frickin' books I've ever read (Blood Roses, Echo, Psyche in a Dress). I tend to like her earlier stuff better, but there is never any guarantee that an author has gone into a permanent decline and indeed one usually hopes otherwise. Her prose usually gets critic-words such as 'lush' and 'purple' and 'adjectival' and her main issue tends to be letting language, style, and a liking for reworked myth and fairytale get in the way of thinking things through or causing them to make sense. When she doesn't run away with herself, it can work very well, and there is usually no telling in advance with any particular book which side of the line it will fall on, which is why I keep picking her stuff up.
Then I saw this was a novel about teenage werewolves.
Whoa-boy. That settled that question. Teenage werewolves are quite popular lately, and there is an entire subgenre of them, and its tropes are such that unless this book were to happen to be completely unlike and unrelated to every other book about teenage werewolves ever written, I knew this book would not just have run away with the author, but plunged off a cliff at full throttle and exploded in a mass of fireworks over the canyon. There is such a thing as a genre playing to someone's strengths, and then there is the opposite. I was holding out vague hope for this being totally unlike everything else in its subgenre, but that particular hope is always vague: never expect a book to be sui generis, especially when the subject is trendy.
Apparently she's written a vampire one, too. I-- the mind boggles. I have to read that book.
( Because this? This was delightfully, enjoyably, compulsively readably terrible. )
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When I got to the Francesca Lia Block, I had absolutely no idea whether to put it in that category or not. None whatsoever. Francesca Lia Block has written books I find lovely and memorable and magnificent (Ecstasia, Primavera, the early Weetzie Bat books, The Hanged Man) and books I find utterly neutral and have trouble remembering exist (Girl Goddess #9, that one about teenage fairies) and a couple of the worst frickin' books I've ever read (Blood Roses, Echo, Psyche in a Dress). I tend to like her earlier stuff better, but there is never any guarantee that an author has gone into a permanent decline and indeed one usually hopes otherwise. Her prose usually gets critic-words such as 'lush' and 'purple' and 'adjectival' and her main issue tends to be letting language, style, and a liking for reworked myth and fairytale get in the way of thinking things through or causing them to make sense. When she doesn't run away with herself, it can work very well, and there is usually no telling in advance with any particular book which side of the line it will fall on, which is why I keep picking her stuff up.
Then I saw this was a novel about teenage werewolves.
Whoa-boy. That settled that question. Teenage werewolves are quite popular lately, and there is an entire subgenre of them, and its tropes are such that unless this book were to happen to be completely unlike and unrelated to every other book about teenage werewolves ever written, I knew this book would not just have run away with the author, but plunged off a cliff at full throttle and exploded in a mass of fireworks over the canyon. There is such a thing as a genre playing to someone's strengths, and then there is the opposite. I was holding out vague hope for this being totally unlike everything else in its subgenre, but that particular hope is always vague: never expect a book to be sui generis, especially when the subject is trendy.
Apparently she's written a vampire one, too. I-- the mind boggles. I have to read that book.
( Because this? This was delightfully, enjoyably, compulsively readably terrible. )